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  <body>&lt;a href="http://www.theauteurs.com/films/20535" target="new"&gt;BECOME A FAN OF "MUST READ AFTER MY DEATH"!&lt;/a&gt;

Filmmaker Morgan Dews was very close to his grandmother Allis, but it wasn&#8217;t until after her death in 2001 that he became aware of an astounding archive she&#8217;d amassed throughout the 1960s. Filled with startlingly intimate and candid audio recordings detailing her family&#8217;s increasingly turbulent lives, the collection also contained hundreds of silent home movies, photographs and written journals. Using only these found materials, Dews has fashioned a searing family portrait that affords fly-on-the-wall access to one family&#8217;s struggles amid an America on the verge of dramatic transformation. 

Must Read After My Death follows Allis, her husband Charley and their four children in Hartford, Connecticut. Charley&#8217;s work takes him to Australia four months each year, so the couple purchases Dictaphone recorders as a way to stay in touch throughout Charlie&#8217;s extended absences. A modern woman at least a decade ahead of her time, Allis struggles against conformity &#8211; against the conventional roles of wife and mother. She finds the recordings cathartic and, with the family&#8217;s cooperation, incorporates them into their everyday existence. When the family turns to psychologists and psychiatrists, their strife increases and the recordings turn progressively darker &#8211; even desperate. All the while, Dews employs the family&#8217;s many home movies and the seemingly placid, typically American fa&#231;ade that they convey, as visual counterpoint to the raw and sobering tape recordings.

WHAT THE CRITICS ARE SAYING...

&lt;a href="http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20090218/REVIEWS/902189988" target="_blank"&gt;"I watched this film horrified and fascinated!"&lt;/a&gt;
         (Roger Ebert, Chicago Sun Times)

&lt;a href="http://www.latimes.com/entertainment/news/movies/la-et-death27-2009feb27,0,2591676.story" target="_blank"&gt;"It is virtually impossible to look away"&lt;/a&gt;
(Betsy Sharkey, LA Times)

&lt;a href="http://featuresblogs.chicagotribune.com/talking_pictures/2009/02/tale-of-family-dysfunction-a-webonly-treat-here.html" target="_blank"&gt;"The best film opening in Chicago this week"&lt;/a&gt;
(Michael Phillips, Chicago Tribune)

"Morgan Dews has created a fascinating and disturbing documentary about life in the suburbs in the 1950s that is more compelling than "Revolutionary Road". He has brilliantly pieced together a jigsaw puzzle of audio recordings and 8mm film that allow his grandmother to speak from the grave about her seemingly normal, but in fact dysfunctional life."
(Cynthia Haines, KCUR / Kansas City NPR affiliate)

&lt;a href="http://www.reuters.com/article/entertainmentNews/idUSN2329665320080624" target="_blank"&gt;&#8220;The audience will be riveted! An intriguing and unsettling look at the turmoil hidden behind the white picket fences of suburbia.&#8221;&lt;/a&gt;
	(Stephen Farber, Reuters/The Hollywood Reporter) 

&lt;a href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/london_film_festival/article5039558.ece" target="_blank"&gt;&#8220;This is extraordinary cinema!&#8221;&lt;/a&gt;
	(James Christopher, Times of London)

&#8220;Absorbing and deeply moving!
A raw, riveting and brutally honest documentary film.&#8221;
	(Jeff Craig, 60 Second Preview)

&lt;a href="http://chicagoist.com/2008/10/14/ciff_synedoche_new_york_wendy_and_l.php" target="_blank"&gt;&#8220;A must see! Spellbinding, voyeuristic and frequently disturbing.&#8221;&lt;/a&gt;
	(Rob Christopher, Chicagoist)

&lt;a href="http://www.popcornreel.com/htm/mustreadrev.htm" target="_blank"&gt;&#8220;Devastating and captivating!&#8221;&lt;/a&gt;
	(Omar P.L. Moore, The Popcorn Reel)

&lt;a href="http://www.cinematical.com/2008/06/21/laff-review-must-read-after-my-death/" target="_blank"&gt;&#8220;As mesmerizing as it is uncomfortable. A welcome reminder of the difference between true confessions and true art.&#8221;&lt;/a&gt;
	(James Rocchi, Cinematical)

&lt;a href="http://www.iht.com/articles/2008/07/18/arts/fmdupont.php" target="_blank"&gt;&#8220;A kind of domestic horror movie, an eerie call from beyond the grave.&#8221;&lt;/a&gt;
         (Joan Dupont, Int&#8217;l Herald Tribune)

&lt;a href="http://gonewiththetwins.com/pages/2009/mustreadaftermydeath.php" target="_blank"&gt;&#8220;As engrossing as it is heartbreaking.&#8221;&lt;/a&gt;
        (Chris Pandolfi, Gone with the Twins)

&lt;a href="http://www.filmthreat.com/index.php?section=features&amp;Id=2299" target="_blank"&gt;&#8220;Mesmerizing It&#8217;s impossible not to be both horrified and powerfully moved.&#8221;&lt;/a&gt;
         (Rick Kisonak, Film Threat)

&lt;a href="http://www.timeout.com/film/newyork/reviews/85973/must-read-after-my-death.html" target="_blank"&gt;"A fascinating chronicle!"&lt;/a&gt;
         (Mark Holcomb, Time Out New York)

&lt;a href="http://www.observer.com/term/59961" target="_blank"&gt;"Entrancing!"&lt;/a&gt;
         (Andrew Sarris, New York Observer)

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  <created-at>2008-10-09 11:11:19 -0400</created-at>
  <updated-at>2009-12-24 09:27:03 -0500</updated-at>
  <description>Filmmaker Morgan Dews was very close to his grandmother Allis, but it wasn&#8217;t until after her death in 2001 that he became aware of an astounding archive she&#8217;d amassed throughout the 1960s. </description>
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